Killers of creativity #Censorsip #FOE


Aranyani Bhargav, The Hindu

Mallika Sarabhai Photo:Thulasi Kakkat

Mallika Sarabhai Photo:Thulasi Kakkat

Dance appears to have escaped censorship, but a very subtle form of censorship disguises itself as a performance licence

Despite what romantics might say, it is not easy to be creative. Creativity is not simply something some people are born with and some aren’t. Creativity is cultivated over many years of training, learning, and experiencing. In other words, it is not an easy task to create something good and meaningful even in the best of circumstances. However, the best of circumstances don’t always present themselves at opportune or frequent moments in time. In fact, many an artist will tell you that the revelations regarding a creative piece of work came at a decidedly inopportune or inconvenient moment!

Moreover, there are certain factors in the art world that make the creation of dance (and indeed other forms of art) even more difficult. One is undoubtedly the lack of inspiration. Inspiration can be thwarted by internal factors such as emotional distress or laziness to actually do the hard work that creativity requires, or to go out there and get exposed to other people’s work – in order to draw inspiration from it. Inspiration can equally be diminished by external factors such as the apparent celebration of mediocrity, which may cause disheartening and discouragement; a lack of guidance in the form of a mentor, teacher or colleagues; and the economic factor – which in many ways limits creativity.

Let me explain this further. Money, I think, is the second factor worth mentioning that kills creativity. Of course, this is not unconditionally true. An art-funding body that approves funding for a choreographer’s work can be of immeasurable help to the choreographer because it helps him or her to be able to focus only on creating the work, rather than searching for funding. But there is a flipside to this as well. Work that is commissioned often has restrictions imposed on it by the organization that commissions it. Funds are released on the condition that content, concept, vocabulary and so on – will be determined and restricted – not by the choreographer, but by the person or organization funding the work. In that sense, it does kill creativity.

Restrictions are imposed in other ways too, and this particular one seems obvious as a killer of creativity – censorship. Of course, like all of the above factors, this one is also not an absolute evil. Censorship exists in an ideal world for good and important reasons. But sometimes, it does contribute to the bloodless murder of creative potential.

Censorship doesn’t happen in the world of dance very publicly as it does in some other spheres of art – Kamal Haasan’s ‘Vishwaroopam’ and Salman Rushdie’s ‘Satanic Verses’ are quite openly censored by society. Dance appears to have escaped that censorship but perhaps that is only the case because the world of dance is less in the public eye than Haasan or Rushdie. Censorship does occasionally threaten to kill creativity amongst dancers. Mallika Sarabhai, a dancer and activist in Gujarat, has faced ‘censorship’ of sorts for having viewpoints that didn’t fit well with people in power. On a more ‘aam aadmi’ level, the police now imposes restrictions on dancers who wish to perform publicly. Of course, the banning of live music (which had a profoundly devastating impact on local musicians and bands) in Bangalore as well as the banning of dancing in pubs has caught quite a lot of media attention a few years ago. But even for ‘serious performers of dance’ in India, a very subtle form of censorship disguises itself as a ‘performance licence’. Amongst several things that the performer has to agree not to do, the vague statements could potentially restrict the freedom of any kind of creative expression – the performance must not have “any impropriety of language”, “indecency of dress, dance, movement or gesture”, or “anything likely to excite feelings of sedition or political discontent”. The basis on which impropriety or indecency, or in fact, the expression of political discontent is to be measured is not mentioned anywhere, potentially limiting the creative freedom of a dancer to speak, dance, or dress a certain way.

So, when the best of circumstances do not present themselves to a creative person, these killers of creativity make the creation of art an even more difficult task than it was to begin with.

 

#Invitation – Artistes travel across #Gujarat- Oct 29- Nov8 #mustshare


 

AJWADI WATEY

VIVIDHTA KA JASHN

AN ARTISTS KARWAN TRAVELS ACROSS GUJARAT

October 29- November 8, 2012

 

MALLIKA SARABHAI TO FLAG OFF ARTISTS CARAVAN ON OCTOBER 29, 2012 AT 3PM AT SABARMATI ASHRAM, AHMADABAD

 

CITY DATE Time Address
FLAG OFF:Ahmadabad 29/10/2012 3.00PM Sabarmati Ashram, Ahmadabad
Surat 30/10/2012 8.00PM Ishwar Farm,In Union Park Street, Ghoddod-Bhatar Road, Opp. Krushi Farm, Surat.
Ankleshwar 31/10/2012 7.30PM GIDC Town Hall, Ankleshwar
Ahmadabad 1/11/2012 7.00PM Darpana Academy, Usmanpura, Ahmadabad
Anand

Anand

02/11/2012

FRIDAY

8.00pm Town Hall, Anand
Mehsana 04/11/2012 8.00pm Samarpan Chawlk, Near Lake ,Mehsana- 384001
Rajkot 06/11/2012 9.30pm Hemu Gadhvi Hall, Tagor Road,Rajkot.
Bhuj

Bhuj

08/11/2012

THRSDAY

8.00pm Town Hall, Bhuj

 

Cultures, civilizations grow and develop because they constantly take from each other. Civilizations borrow from others and give to others. And it is in this process of give and take that each civilization, each country, each nation constantly reinvents itself. It defines and redefines itself. The idea is not to purge what we consider alien but to recognize that it is impossible to say what is ours and what is not. What we need to do is to see what is relevant, living and robust in our culture as it exists today, to accept what will enrich our lives and help us to improve as human beings and to reject and discard all that is likely to sustain prejudice and malice towards other human beings.

 

The search for the meaning of culture is a continuous process in the historical evolution of all societies. The dynamism of Indian culture is derived from its diversity, which molded the cultural practices of the people.

Anhad as part of its campaign Bole Gujarat is celebrating this diversity.

 

The programme’s objective is to contribute in creating a conducive environment for safeguarding cultural diversity, to promote and design ways of ensuring access to culture to all and to create platforms for artists to promote peace, diversity and pluralism. The programme also aims at strengthening the capacities of professional and rural  artists and youth at large to contribute towards a diverse and composite cultural atmosphere in Gujarat.

 

An Artist Caravan (musicians, dancers, poets, writers, designers, filmmaker etc will travel across seven small and large towns of Gujarat and perform in seven cities: Surat, Ankleshwar, Ahmadabad, Anand, Mehsana, Rajkot and Bhuj between October 30 and November 8, 2012.

 

Performing artists include: Siddi Goma Tribal Dance Group, Avni Sethi- a classical dancer from Ahmadabad, Odyssey Rock band from Surat, Sufi singer- Dhruv Sangari from Delhi and Namrata Pamnani –a Kathak dancer of international repute. A number of video spots and celebrity interviews will be screened during these concerts.

 

The programme called ‘Us Subah Ki Khatir’- Ajwadi Watey- hopes to spread the message of peace, communal harmony and non-violence through the artistic expression and celebrate the intermingling of different streams of cultural expression.

 

The artists will stop on the way to interact with local villagers in a number of villages on November 3, 5 and 7, 2012.

 

Information on Performing Artists

 

Dhruv Sangari

 

Dhruv Sangari began training in Hindustani classical music at the age of 7 under Smt. Shahana Bannerjee and Tabla with Pt. B.S. Ramanna. Later, he developed an interest in Sufism and Sufi music,and began learning Qawwali under Ustad Meraj Ahmed Nizami of the Delhi-Qawwalbachhe Gharana. He was also given training and guidance by the legendary Qawwali and Classical maestro late Ustad Nusrat Fateh Ali Khansaheb.

 

Dhruv has a masters degree in Hindustani Classical music from the University of Delhi and has been performing professionally since 2001 with his Sufi music troupe ‘Rooh’. His repertoire includes Persio- Arabic poetry, Punjabi-Hindvi Sufi poetry and Urdu Poetry from the works of famed poets and saints such as Amir Khusrau, Sant Kabir, Baba Farid , Bulleshah, Meerabai,  Hafez,  Rumi ,  Jami,   Baba Nanak, Sant Tulsidas

 

In addition to stage concerts at major festivals and international collaborations with artistes in more than 15 countries including China, India, Morocco, Turkey, Italy, Germany, France, U.K. and Spain; he has recorded for a number of private albums, film and solo projects like Jet-Lag (Phat-Phish Records, Mumbai, India.) and Rooh e Sufi.

 

Dhruv has taught and performed Sufi music in several universities, museums and cultural institutions such as Colby College, Maine, University of Boston, Massachusetts, University of York, UK; Nehru Center, London, UK; House of World Cultures, Berlin, Germany; Stadt Theatre, Freiburg-Breigsau, Germany; Louvre Museum, Paris, France; Smithsonian Museum, Washington DC, Society for Ethical Cultures, New York, US Library of Congress; Washington DC, Embassy of India, Washington DC, and Johns Hopkins University, Washington DC etc.

 

Avni Sethi

 

Avni  Sethi is an interdisciplinary artist who works with multiple mediums. Her work extends from choreographing large ballets or performing small solos to creating sound installations in parks to creating new forms of organisms in a lab to devising performance pedagogy for schools.

Her focus has primarily been on exploring the politics and poetry of humanity through her artistic practice. She is presently curating a museum of conflict in Ahmedabad.

 

Siddi Goma Tribal Dance Group

 

The Siddis of Gujarat are a tribal Sufi community of East African origin which came to India eight centuries ago and made Gujarat their home. They carried with them their exceptionally rich musical tradition and kept it alive and flourishing through the generations, unknown to the rest of the world.

 

A traditional occupation of African-Indian Sufis in Gujarat has been to perform sacred music and dance as wandering faqirs, singing songs to their black Sufi saint, Bava Gor.

 

Sidi Goma perform in a group of twelve: four lead musicians (drummers and singers) and eight dancers. While the music gradually gets more rapid and excited, the dances unfold with constantly evolving individual and small-group acts of animal imitations, climaxing in a coconut-breaking feat.

 

The exuberant energy and joy Sidi Goma brings to the stage is captivating and powerful, their unique African-Indian heritage a fascinating discovery, and every performance an exhilarating experience!

 

NAMRATA PAMNANI

 

Born in 1980, Namrata Pamnani began her training in Kathak with Guru Smt. Bharti Gupta with later specialization under Pt. Jaikishan Maharaj at the National Institute of Dance, Kathak Kendra, in New Delhi. A graduate in Economics from Delhi University, Namrata decided to take up her passion as a profession. She has also taken formal training in Hindustani classical music and holds a diploma from Prayag Sangeet Samiti; she is also learning the nuances of dhrupad singing from the Gundecha brothers.

Namrata believes that dance is a form of self purification.

 

Some of her major overseas performances have been at the Lincoln Centre in New York, the International Kathak Festival in Chicago, the Avignon Festival in France, and at venues in Switzerland, Estonia, Finland, South Korea, Shanghai, Los Angeles, Moscow, Sri Lanka and Germany.

 

Within India she has been featured at the Kathak Mahotsava (Baroda), Konark Festival, Pt. Lacchu

Maharaj Utsav, Kalakshetra Festival, Natya Vriksha Festival, Taj Mahotsava and Kathak Yatra by Sangeet

Natak Academy. Namrata has been a member of the renowned Kathak Kendra Repertory, New Delhi where she had the opportunity of working under some of the best gurus.

 

Odyssey Rock Band

 

Sometime in 2009, in the historical city of Surat, Odyssey was formed with the aim of creating independent, original music. Hailing from the diamond city draped in textile, Odyssey is a rock band with a unique touch to it. Five guys, each having more than a decade of stage experience, combine to create music that is not restricted to any specific genre. Each band member is a vital piece of the jigsaw puzzle that is Odyssey. The band strives to put Surat, a city more known for its trade and cuisine (not to forget its trademark slang!), on the global music scene.

 

ENTRY TO PERFORMANCES IS FREE AND DOES NOT REQUIRE ANY INVITATION ON FIRST COME FIRST SERVE BASIS.

 

Taliban behead 17 caught dancing to music at party #intolerance


 

Taliban militants beheaded 15 men and two women for holding a late night party with music and dancing, according to Afghan officials.

Taliban militants pictured in Musa Qala in 2007.  Photo: AFP/GETTY
Ben Farmer

By , Kabul

3:20PM BST 27 Aug 2012

The insurgents executed the guests, who included two women, after attacking the party in northern Helmand late on Sunday because they considered it immoral.

Hamid Karzai ordered a full investigation into the “mass killing”. “This attack shows that there are irresponsible members among the Taliban,” the Afghan president said in a statement.

The attack occurred in an area of Musa Qala district which is almost totally under Taliban control and Afghan officials said an investigation into the deaths was being hampered because they could not reach the area.

Nematullah Khan, governor of Musa Qala, said the Taliban had tried to stop the party. “They were having a music party and the Taliban came and killed them and cut off their heads,” he said.

Shooting was heard at the scene, he said, and it was unclear if they had been shot dead first.

Parties and social occasions in Afghanistan are usually strictly segregated and there is no mixing of men and women unless they are related.

An elder from the area confirmed a group of young men had held an “immoral” party at a house and had been attacked and killed.

Juma Khan said: “Unfortunately the young men do this sometimes. They had a party with music and dancing and they were behaving badly with the women.”

However he said the killing may have been driven by a local feud, with enemies of the guests either tipping off the Taliban, or pretending to act with their authority.

A statement from the provincial governor’s office later claimed the massacre was caused by two Taliban commanders fighting over the women, but did not explain how so many civilians came to be beheaded.

Hours after the massacre, an Afghan army checkpoint was stormed elsewhere in the province and 10 soldiers killed.

A spokesman for the governor said the post in Washer district was believed to have been betrayed by insiders and five soldiers who were missing after the attack were being investigated.

Meanwhile two American soldiers were shot dead by an Afghan comrade after an argument during a joint patrol.

Monday’s shooting in the eastern province of Laghman brought the Nato coalition death toll from so-called green on blue killings to 42 this year, and 12 in August alone.

American soldiers returned fire and shot dead the Afghan soldier.

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