– Rethinking the Critique of Commodification : Sreenanti Banerjee
Guest Post by SREENANTI BANERJEE
I will begin with the by now well-known interview of author and social activist Arundhati Roy, conducted by Channel 4 (a British Media House), about the widespread protests after the horrific December 16th incident of the brutal gangrape of the 23 year old medical student in Delhi. Permit me to quote Roy at length as I do not wish to take bits and pieces from her talk, and pluck them out of their context.
We are having an unexceptional reaction to an event which isn’t exceptional […] But the problem is that why is this crime creating such a lot of outrage is because it plays into the idea of the criminal poor, the vegetable vendor, the gym instructor, the bus driver actually assaulting a middle-class girl. But when rape is used as a means of domination by upper castes, by the army or the police it’s not even punished.
Question: Is there any chance that this protest is going to lead to genuine change, that the political class will accept that this is not what modern India is all about?
Answer: I think it will lead to some laws perhaps, and increased surveillance. But, all of that, I repeat, all of that will protect middle class women.
Question: This is such a contrast from the image of modern India that is being potrayed by the film-making industry in Mumbai, by the whole sort of new tech India. I mean as if there are many worlds competing here [……] So you are suggesting that this new India is fuelling disrespect for women?
Answer: The feudal India has a huge history and legacy of disrespect and violence against women, I mean, any accounts of partition or what is done to dalit women contains that. But, now there is a sort of psychosis. First of all the army and the police are using rape as a weapon against people in places like Chattisgarh, Kashmir and Manipur and so on [……]
But, the other thing is that there is a widening gap between the rich and the poor.Earlier atleast the rich did what they did with a fair amount of discretion. Now it’s all out there, on television, all the sort of conspicuous consumption, and there is ananger and a psychosis building up. Women at the top, at the middle and the bottom are going to pay the price for it, not so much at the top but certainly the dalit women are continuously going to be subjected to violence, and young urban women like the one to whom this happened are very very vulnerable to this kind ofpsychotic rage.” (emphasis added).
Now, although the interview appears to state the ‘real’ conditions of Indian democracy and how the state always permits only a particular class to vent its grievance against violence, here I would urge you to read with me in this interview something that appears to be a central conundrum of cultural politics in what we come to know as the “Global South” today.
The anchor of the programme here speaks in his generic Orientalist “civilizing” tone of a “new and a modern India”, accompanied by a commonplace bewilderment about a supposed “clash of civilization” (in the Hutingtonian sense), about how a “modern” country can exhibit such entrenched misogyny (as if women’s emancipation is always and already another synonym for ‘modernity’) – a country which in fact was supposed to have ‘transcended’ its erstwhile ‘uncivilized’ past and by now gotten rid of its taint of being a “fallen civilization”. And this amazement on the part of the anchor is nothing unusual since this was typical of the whole of Western media after the ghastly event of December 16th when it was always poor “Indian men” raping its modern civilized ‘other’ (in the form of urban women), not being able to cope with rapid processes westernization and globalization.
However, it is interesting to note Arundhati Roy’s response to these questions, especially her notion of “conspicuous consumption” leading to anger and psychosis amongst the urban youth, and women “paying the price” for capitalism’s “pornographic” seductions with its obnoxiously rising concomitant gap between the rich and the poor. Now, for quite some time, we have seen a continuum in terms of taking positions on westernization and its supposed effects on women and their ‘safety’. From Mohan Bhagwat, the RSS chief to the Supreme Court Judgement criticized by the Justice Verma Committee Report pp. 80 – 83 (which claimed that in India women would seldom falsely “cry rape”, as sex here is generally not for sale and hence women are more protectionist about their sexuality compared to the West where sex is used for pleasure and economic purposes), to Kakoli Ghosh Dastidaar of Trinamool Congress asserting that the “context” of the Park Street rape incident of the “pub-going woman” was qualitatively different from that of the bus gangrape as in the former (“false”) case it was a mere squabble between a prostitute and her client (as opposed to the more ‘authentic’ gangrape in the bus), to Abhijeet Mukherjee’s lament about painted and dented, non-intellectual, consumerist women’s frivolous protests – all of them (although from different standpoints) seem to be commenting on the ghastly effect that capitalism and its twin associate commodification has on the urban Indian woman. While the article published in The Hindu (quoted in the Verma Committee Report) as well as Arundhati Roy seem to be engaging in a much more nuanced analysis of how women venturing in the public sphere for work, education or leisure ‘unfortunately’ become the targets of the wrath of men who are “victims” of an ever-growing individualist consumption-oriented culture, as opposed to Kakoli Ghosh Dastidaars or Mohan Bhagwats who engage in a much more blatant eulogy of the woman who maintains all the ‘lakshman rekhas’ and is not ‘utstrinkhal’ (a term recently used by the Hindi columnist Raj Kishor in an article to describe the ‘licentious urban women’); the underlying assumption is the same. And, that is, the striking opulence of consumer capital leads to sexual violence of urban women.
Fear of the ‘Inauthentic’ Female that predates Capitalism
Although I do understand where Roy is coming from and her concerns about the injustice that global capital has been giving rise to in recent times in terms of erasing any public discourse on state-sponsored sexual violence against women and sexual violence perpetrated by the upper class and upper castes on Dalit and tribal women, the assertion of women (of all classes) “paying the price” for the pornographic exhibitionism of wealth of a particular class, I believe, is certainly problematic.
Here, I do not wish to give the elaborate and rather painstaking (although much needed) inventory of misogyny predating capitalism. However, I do wish to give one particular instance which perhaps would take us to the heart of the matter, and somewhat help me to articulate my theoretical disagreement with Roy and certain other significant social commentators who consider “mindless flaunting and display of wealth” as the “root cause” of sexual violence against middle class women, and a “paying of price” in terms of them being brutally violated and their intestines being pulled out as a direct and inevitable outcome of the hubris of global capital. This I believe, is a classic case of the much talked about notion of “justifying” sexual violence, something that directly informs what we conceive as “rape culture”.
Here, the notion of male ‘anxiety’ demands further exploration. One of the significant instances of this vulnerability gets demonstrated in the Laws of Manu, which is commonsensically renowned for its misogynist claims. But since commonsense by definition impedes criticality, it is significant to say that it is quite possible to refrain from any crass reductionism of Manu as far as his interpretation of women is concerned. In Laws of Manu, chapter 9, Manu says,
“ Good looks do not matter to them (women), nor do they care about youth; ‘A man!’ they say, and enjoy sex with him, whether he is good-looking or ugly.  By running after men like ‘whores’, by their ‘fickle minds’, and by their natural lack of affection these women are unfaithful to their husbands even when they are zealously guarded here. . [……] women, who have no virile strength and no Vedic verses, are ‘falsehood’ […]” [i]
What we need to do here is to read Manu against Manu himself. What is interesting is that the notion of control of women’s sexuality does not stem in Manu from the assumption that women are ‘naturally’ passive and weaker. Neither, does the desire to control emerge from an understanding that women are ‘essentially’ treacherous, unaffectionate and malicious. Rather, a different reading would help us realize that one of the primary sources of men’s anxiety and vulnerability about women’s sexual excess is the notion of the ‘masquerade’, the capacity to feign ‘originality’ and ‘authenticity’ on the part of women, only to prove the fictive nature of that very notion of an ‘authentic’ uncorroded pure womanhood’; in other words, the capacity to ‘mask’ or ‘mime’ oneself, only to show that there is no ‘referent’ of a ‘real self’ behind the mask. Thus, patriarchal disgust emanates from an inherent fear.
Is Commodification and Objectification Bad for Feminism?
From the above analysis, we realize that a culture of misogyny which certainly predated the advent of capitalism, already had a deep-seated fear of the ‘inauthentic fake open feelinglesss promiscuous whore’, whose sexuality in effect had to be controlled. With the advent of capitalism, new patriarchies got introduced which denied women’s household labour, gave rise to unequal wages so on and so forth. But, along with that, the already existing culture of misogyny became all the more ingrained as the apprehension and fear about the ‘inauthenticity’ of the ‘exchangeable’ woman became all pervading now. This is because like everything else, the woman also got translated into an ‘unnatural’ fetishized commodity, got ‘reduced’ to an ‘object’ of exchange under the capitalist order.
However, it should be noted that here the words objectification and commodification are necessary phenomena (as Thomas Keenan points out in his Reading ‘Capital’ Rhetorically), used strictly in the (non-orthodox) Marxist sense of being rendered ‘abstract’ for the purpose of exchange, so that everything is made ‘equal’ (alike) in the eyes of the bourgeouis law (or in other words, rendered ‘human’). Objectification here is a necessary and determining trait of social constitution of individuals as proprietors where the notion of the ‘object’ presupposes a consciousness of ‘difference’. Thus, here the agent is constituted as a discrete ‘self’ (individual), posessing ‘natural rights’, different from ‘others’, and yet ‘equal’ to ‘others’ (since as proprietors the agents should be able to see the others as “subject to the same laws, rights, calculations”). Thus, the ‘equality’ which objectification gives rise to is certainly not false consciousness in this context (as orthodox readings of Marxism would read it), since such a misplaced Marxist reading of objectification as false and hence bad reduces the meaning of the word to a banal Rightwing moralistic cry over a sovereign ‘wholeness’ getting ‘reduced’ to a mere ‘part’.
It is significant to note the pejorative connotations that words like objectification, commodification, consumerism and alienation have assumed in Indian feminist circles, where feminism has almost come to imply a kind of politics of asceticism, bereft of an ambiguous engagement with notions like that of desire and consumption practices. Here, desire of non-westernized women is assumed to be always and already more real, ethical and hence democratic than that of their westernized counterparts. And, I believe that it is precisely under such a climate of an uncritical collapse of rightwing and leftist critique of commodification, that the dissemination is possible of the opinions that conspicuous consumption is the reason for sexual violence against women.
It is interesting to observe here that the Justice Verma report, along with all its commendable suggestions, makes one similar observation. It endorses the view that, “[…] the large-scale disempowerment of urban men is lending intensity to a pre-existing culture of sexual violence.” [ii] What is significant here is that, a mere stating of the ‘fact’ (as if it is self-evident) certainly does not explain the fact. It rather reifies the ‘fact’ as inevitable or ‘natural’. Hence, in my mind, in order to engage in a full-blown analysis of the ‘causes’ of sexual violence, this observation needs a qualification. And, that qualification is that neo-liberalism along with all its dissemination of social inequity across classes, in the process of commodifying people, alsomakes them ‘inauthentic’, that same inauthenticity which was much feared by Manu and his other patriarchal cohorts of those times.
And discourses on ‘teaching the promiscuous woman a lesson’ originate from an inherent fear of this very ‘inauthentic artificial’ woman, who chooses to objectify and commodify herself (although certainly “not under circumstances of her own making”). This choice, in my mind, needs to be respected, rather than dubbing it as mere false consciousness (just like we have learnt to respect the ‘choice’ of non-secular women adopting the headscarf, the hijab or the veil, by now a well-recognized aspect of postcolonial interrogation of Western Feminists’ ethnocentric spree to “Save the Other”). Hence, we need to ask the all important question that under what circumstances women’s commodification (starting from sex work to Bollywood item numbers) becomes the worst kind of objectification?[iii]
Thus, what we should keep in mind is that a real ‘critique’ of political economy should never get reduced to a mere ‘criticism’, since then our interrogation of capitalism becomes a banal moralistic one, bereft of the mentioning of the possibilities that processes of commodification give rise to, something that certainly impacts our subjectivity as well. In other words, a critique of global capital should not get reduced to a mere rightist and in turn a protectionist sob story ofcultural degeneration in terms of what capitalism does to the ‘unharmed’ body of the nation (the idea of the ‘nation’ already being a gendered concept, marked as feminine), a ‘sovereign’ body which is in need of ‘protection’ and ‘recuperation’ from the onslaughts (read harm, corrosion and injury) caused by globalization.
Now, although the larger point that the Justice Verma Report was trying to make here was that rape is not a ‘crime of passion’ but rather an “expression of power” and also how different subcultures use rape as a weapon against women to assert their collective identity, and all this can easily pass off as a mere ‘depiction’ and a resultant ‘analyses’ of ‘reality’,[ivi] it is significant to point out that this underlying assumption of the article in The Hindu about consumerist abundance and “showing off” as the root cause of sexual violence was indeed troubling. This especially becomes problematic in a climate where precisely the same words (although devoid of any sociological nunace) are used to “teach them” that this is the “price that they pay” for being brazenly commodified.
Now, the point is where do we draw the demarcating line if we are to build this continuum between sexual violence and pompous modernity? How do we intellectually separate the claims on capitalism made by thinkers like Roy with respect to sexual violence against urban women and that made by Mohan Bhagwat of RSS for instance, for whom, westernization is to be ‘blamed’ for the increase in crime against women in cities, or in other words ‘Indian’ women are more ‘rapeable’ than the auspicious ‘Bharatiya Nari’ (And Bhagwat, let me remind you, before hurling such lunacy, infact had already demanded severe punishment for the rapists and even called for their death penalty, something that can easily be used in his favour as a disclaimer to this terrible claim). Furthermore, this argument was later backed up by none other than Ashis Nandy, the eminent sociologist, for whom urban anomie and severe individualization is yet again the cause behind the increasing amount of sexual violence against women. Push the logic, and we shall easily be reminded of the words of the Toronto police officer for instance who remarked that, “woman are extremely fashionable these days and are constantly “showing off”, they should stop dressing like sluts to avoid rape”, something that triggered off the Slutwalk movement in Toronto, or for that matter someone like Abhijit Mukherjee’s contempt towards “painted and dented women”, intellectuals and protestors by morning and disco-goers by night!
Rape, Shame and Consumption
While the Justice Verma Report tries to undertake the mammoth task of addressing sexual violence as a structural problem rather than an aberrant individual act (and thus engages in a resultant critique of inequitable economic policies for giving rise to urban violence and quite rightly so), and quite commendably recommends a separation of notions of ‘honor’ and ‘shame’ from the act of rape, the language of the continuing emphasis on capitalism curbing options of recreation for migrant men and hence such “prospectless” men taking recourse to sexual violence as an articulation of their pent up frustration on urban women frequenting pubs, lounges or discotheques is certainly problematic. It creates an aura of scholarly empathy (for the lack of a better word) for the ‘deprived’ victimized men who are thought to become “psychotic” for the surrounding bourgeouis profligacy and hence engage in ghastly gangrapes as their last resort to gain some identity. Thus, it becomes a viscious argument which creates a moral, linguistic as well as an intellectual atmosphere where if the rape happens in and around what gets connoted as ‘hubs of consumerism’, since conspicuous consumption of the rich by now is already located as the indirect ‘cause’ of rape, the raped woman is judged as guilty for her ‘offence’ and hence is supposed to be ashamed for her habits of consumption, feel apologetic for a structure which “creates rapists” by ripping lower class men off their fundamental rights. This logic also at times gives rise to the age-old public spectacle of the vamp of Bollywood pleading for mercy, saying she is no more “like that” (consumerist, open and unrestricted).
Thus, conceiving capitalist exclusion as a cause of rapes in the cities creates an ambience of shaming the “slut” by claiming that such pomp-exuding ‘looseness’ furthers capitalism’s brutality of alienating the urban youth (which also strenghtens the implied logic that ‘she deserved it’). Thus, unless we put a vehement period to this perceived cause and effect chain of consumption habits of the rich and its resultant repercussion of poor optionless anxious migrants raping, we shall never be able to remove ‘shame’ out of rape, especially when the rape is that of an upper-middle class woman. It would perpetuate an atmosphere of the much talked about slut-shaming and “victim” blaming (as a ‘predictable’ outcome of ‘ugly modernity’) if not in the langauge of provocation, but certainly in the language of apparently sanitized social science ‘analyses’ of cities and urbanity leading to a culture of anonymity (devoid of community and kinship ties) which is then perceived to strengthen a culture of sexual violence against upper-class women (something that Nandy diagnoses as “anomic rape”). Here, a politically motivated continnum is established between modernization, urbanization and rape.
The point which I am trying to bring home here is that shame (for being loose, available, commodified, consumerist, accessible, frivolous and all other such cuss words) would continue to get associated with rape if we emphasize consumption practices of either the rich (as the Leftist position seems to be doing) or the woman herself (as the Rightwing generally does) as the cause of rape, and not a general culture of hatred towards the non-normative woman (consumerist or non-consumerist), who in turn needs to be “kept in place”. We cannot under any circumstances say that neo-liberalist exclusionary mechanism is one of the causes which manufacture rapists, since that would politically be as fatal as saying dress is “one of the causes” that lead to rape. We cannot and should not under any condition “justify” in the name of “analyzing” the root cause of rape, since otherwise just like demonizing the “criminal poor” or the “vegetable vendor”, the “pub-going loose and inebriated woman” would continue to be easy targets of Rightwing vengeance and Leftwing scorn. It will reinforce the view that “some women” ignite if not provokethe pent up anxiety caused by the lack of recreational options under the capitalist order, and give rise to a kind of ‘violent working class jealousy’, which when pushed to its logical and inevitableextreme causes a psychic collapse and hence ends up in rape. That would be suicidal for Feminist politics, especially at a time when detractors and digressors are all around, looking for an opportunity to hijack Feminist issues to further their own political agenda. The six rapists also perhaps thought that the woman in the bus was a non-abiding, permissive and consumeristwoman and hence needs to be punished and put to shame. Thus, let us not embellish the self-worth of rape culture and not justify sexual violence with the garb of finding ‘root causes’ of such heinous acts (in our misplaced spree to curb the self-worth of global capital).
Does the Hindu Right and the ‘Critical’ Left merge on notions of Women’s Sexuality?
Here, it is important to mention that the larger political impulse of this article is to point out that the intellectual Left should certainly be more critical and tentative about its critique of conspicuous consumption and the homogenization of its effects, to keep its theoretical distance from an atavistic nativist criticism of consumer culture of the Hindu Right or even the nationalist political project for that matter. Ruth Vanita, in her insightful article published in Seminar 2002 hinted at a similar problem where she pointed out how there is a strange congruence of the secular left and the Hindu Right (what she calls the “Hindu Left”), no matter how theoretically distant they are, as far as taking ‘positions’ on cultural debates concerning depiction of sexually explicit materials in postcolonial India was concerned. (She here cites the controversy around the Miss World contest and around such songs as “Choli ke peeche kya hai” as instances to illustrate how both rightwing as well as leftwing women’s organizations condemned such ‘degeneration’, although in different parlances, by demanding a state censorship to ban such phenomena).[v]
Towards a Defense of Painting and Denting: Can Commodities seek Citizenship Rights?
At this juncture, it is significant to point out that women in recent times have assumed this very political identity of a conspicuous consumer to get human rights against sexual violence, be it in the form of the Slutwalks, the Consortium of Loose and Forward Going Women (in the case of the Pink Chaddi Campaign) or the more recent broaching of the Society of Painted Dented Ladies of India (as a result of Mukherjee’s comment about the perceived ‘frivolity’ of the protestors in Delhi). Tired of listening to cynical leftists about capitalist inequity being the foundation of gender violence, as it is thought to put sex out there in the open, make it marketable and devoid of restraint (along with the perennial infliction of rightwing violence), these women seek human rights and seek to defend the notion of ‘bodily integrity’ against sexual assaults ‘as’ sluts, ‘as’chaddis (the pink branded female underwear in this case i.e. ‘objects’ or vendible commodities), ‘as’ painted and dented women (or in other words, ‘impure’ and ‘contaminated’ beings), only to show the performative and fluid nature of this much abused notion of ‘integrity’ and how the oft-cited idea of “non-commodifiable purity” informs rape culture (Remember the essentalist assumption based on which women are given loans under the system of Microfinance, the assumption that women are ‘essentially’ good, not money-mongerers, and hence more reliable in terms of paying back loans on time, unlike the greedy ‘materialist’ men? Doesn’t it sound strangely similar to the Supreme Court verdict derided by the Verma Committee Report which said Western woman are economically motivated and hence more likely to falsely “cry rape” for material reasons as opposed to Indian women who are ‘good’, less materialist and hence more reliable?) [vi]
Does the ‘Postcolonial’ Collapse with the ‘National’ when it comes to Women?
Now, even for an eminent Subaltern Studies Scholar like Dipesh Chakrabarty, the Indian Feminists of today (and he actually gives the instance of the Pink Chaddi campaign)[vii], critique the hypermasculinity of the Ram Sena by a kind of ‘uncivilized’, neoliberal class-war (which, in his mind, excludes the poor), precluding any dialogue between the supposed sacred and the secular, which, as he tries to show, erases and symbolically “gags” the ‘other’ in the name of female empowerment (what he calls a kind of “in your face Feminism”, punctuated by an undertone of superfluousness and intolerant individualism, which for him is ‘uncivilized’ in the sense that it does not offer room for self-reflexivity and self-criticism). In other words, the protestors against sexual violence (the Pink Chaddi campaigners) and the ones who perpetuate sexual violence (the Ram Sena), for Chakrabarty, occupy the same moral space, where political claims like that of ‘looseness’ and ‘forwardness’, for him, deserves vehement criticism for being significant cohorts of what he calls “economic globalization”, devoid of a kind of self-criticality that the legacy of ‘civility’ (something that he found in the nationalist political project) taught us. Now, the moot point is, does perpetration of sexual violence by the under-class or the non-secularists (a category that at times gets denoted by the postcolonial scholar as an idealizedhaven of ‘faceless crowd politics’ exhibited by global modernity’s ultimate ‘other’, a section of the society who are not only citizens and voters but also perceived as significant subversive players of Indian democracy and cultural politics), here get patronized as a mode of enraged ‘resistance’ (no matter how psychotic) against globalization’s hegemony?
At this juncture, it is important to recollect that the two categories of women that Shilpa Phadke, Shilpa Ranade and Sameera Khan pointed out in their thought-provoking article on Loitering, Gender and Public Spaces (the ones who appear in urban public spaces without an “apparent purpose”, as they call it), are the window shopper and the street walker (or the sex worker). Now, while the window-shopper is idealized as shopping is considered as a respectable act in the global city (as the authors minutely illustrate), the streetwalker is conceived as “undesirable and illegitimate.”[viii]
However, for the purpose of my argument, I would like to introduce a third category of women (although all the three are certainly overlapping each other and I draw the demarcating line solely for analytical purposes), where the buyer or the consumer woman also ‘behaves’ like a street-walker. Now, what happens when this ‘particular’ category (women in the cusp zone of window shoping and sex working), the primary one which pink-chaddi campaings, slutwalks or the feminist assertion of being painted and dented end up representing, seek ‘universal’ entitlements for protection against sexual violence? A category of women who do not feign the empty rhetoric of ‘universal sisterhood’, who are respectable on the grounds of class and their ability to get access to spaces of consumption, yet they thwart the liberal discourse and hence become ‘unrespectable’ as they, precisely in and through the tools of consumerism, violate the normative bourgeouis markers of femininity as well? Do we read the gestures of these women as mere ‘assimilation’ to the discourses of global capital, or do we read them as further ‘democratization’ precisely with the aid of the ‘tactics’ of assimilation? Moreover, are all class-marked assertions necessarily classist? What is interesting to note here is that the notion of subversive unrespectability and logic of impropriety gets instituted precisely through the discourse of consumer-driven respectability and propriety. And, we can never engage in any serious analysis of such instances of resistance by a blanket en masse debunking of phenomena like that of conspicuous consumption and an unanimous lament for its aftermaths.
To me, such women act as a ‘spectre’ which ‘haunts’ and breaks open the very limit of the normative subject ‘woman’ of human rights, i.e. the image of the ‘bhadramahila’ (a mixture of the Victorian bourgeouis emancipated mother and the Brahminic image of the ‘pure’ nationalist woman, as Chatterjee put it), a spectre that needs to be recuperated and not dismissed as ‘middle class’ and hence ‘exclusionary’. And, most significantly, they denounce a “politics of assimilation or inclusion” where the spectre is merely “integrated” into the whole (the image of the chaddi or the slut does not say that I represent a non-commodified ‘real’ woman and hence give me human rights. Remember the Park Street rape survivor asserting repeatedly that she might be an escort but that certainly does not give anyone the right to violate her? Remember her statement when she said that just because she did not choose to be a ‘victim’, and in fact carried on with her dailyconsumerist chores from the next day even after the ghastly attack, did not mean that the state could deny her justice?).
Thus, a serious critique of the eulogy of consumer imperialism getting packaged as Feminism (something that the new Feminist assertions are accused of) can never be plotted in the language of commodification as a ‘curse’, something which “alienates” women from their “authentic”native selves. This is because, adherence to such notions of reactionary nostalgia of non-consumerist lifestyles and uncritical assumption of ‘good’ and ethical national/local or working class culture (garland bedecked “innocence” of tribal women so on and so forth) leads to the dangerous assumption that westernized woman are less “authentic” and hence more condemnable (and even rapeable in certain arguments).
Welcoming the Spectre
Hence, the larger question is, can we recuperate this ‘hollowness’ and inauthenticity that capitalism gives rise to for Feminist ends? A commodified woman is an inauthentic “monster” (a term that Marx himself infact used to describe commodities in Capital), a monster who is feared across all political positions. Thus, we need to defend this present moment in Feminist politics where such abstracted spectral artificiality and monstrous frivolity are used as political ‘standpoints’ which certainly help us in our struggle against patriarchy. Although these ghosted creatures scare and haunt us, and we can never know with adequate certitude what kind of violence and exclusion embracing them would entail, nonetheless such spectres should be welcomed for Feminist politics to survive. To believe in them is a practical necessity. Commodification here is pushed to its logical limit. Thought, after all, as Althusser once put it,must be pushed to its extreme.
Thus, to me, this moment of women claiming to seek rights as ‘impure materialist reduced commodified alienated objects’ should be respected, rather than dismissing it as middle class, elite or exclusionary. This is because it is just not an emotional response to the kind of brutal violence against women that we are experiencing in urban areas in recent times, a mere unreflective ‘enough is enough’ kind of deliberation. Rather this has an intellectual underpinning. And that unsaid subtext is that, let the spectral inauthenticity caused by consumer capital be pushed to its limit, or be celebrated in order to break open that same consumer capital’s logic of manufacturing feminine respectability. It strives to create a transformation of the very meaning of personhood, of humanness, or in other words changes the very meaning of what kind of a woman ‘deserves’ human rights and state protection against sexual violence.
Sreenanti Banerjee is an M.Phil student of Social Sciences and a Junior Research Fellow at Centre for Studies in Social Sciences, Calcutta (CSSSC).
[i] Manu, The Laws of Manu, ‘Chapters 3 and 9’, trans. Wendy Doniger and Brian K. Smith, (New Delhi: Penguin Books, 1991), pp. 43-73, pp. 197-233
[ii] Praveen Swami, “Rapist in the Mirror”, The Hindu, Jan 11, 2013
[iii] This is a point which Shohini Ghosh raises in “The Troubled Existence of Sex and Sexuality: Feminists Engage with Censorship” in Women’s Studies in India: A Reader (ed. by Mary. E. John), Penguin Books, 2008.
[iv]Justice Verma Report, Pp. 220.
[v] “Whatever happened to the Hindu Left” by Ruth Vanita, Published in Seminar, 2002.
[vi] Shilpa Phadke had raised some key questions around these issues in in her nuanced 2005 article on Middle-Class Sexuality, “Is there a Feminist way of being a consumer?”
[vii] Shilpa Phadke, “Some Notes on Middle Class Sexuality” in Geeta Misra and Radhika Chandiramani (eds.) Gender, Sexuality and Rights: Exploring Theory and Practice, New Delhi: Sage, 2005.
[viii] Dipesh Chakrabarty. From civilization to globalization: the `West’ as a shifting signifier in Indian modernity. Inter-Asia Cultural Studies, Volume 13, Number 1, 1 March 2012, pp. 138-152(15).
[ix] Shilpa Phadke, Shilpa Ranade and Sameera Khan, “Why Loiter? Radical Possibilities for Gendered Dissent” in Melissa Butcher and Selvaraj Velayutham (eds), Dissent and Cultural Resistance in Asia’s Cities, London: Routledge, 2009.
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